Archive for the ‘About Publishing’ Category

eBooks at Smashwords.com


02 Jun

As a reader, you’ve got a rapidly growing number of choices for eBook formats and devices like the Amazon Kindle, Barnes and Noble Nook, and Sony Reader, not to mention a hodgepodge of mobile devices like the iPhone and BlackBerry that can run a variety of reader applications. Some of these platforms (hardware or software), notably the Kindle and the Nook, have dedicated on-line stores to support them. There is, however, another retailer that offers a wide range of format choices and a rapidly expanding library of paid and free books: Smashwords.com.

Smashwords is something in between. They distribute to some of the major retailers, including Barnes and Noble, Apple, and – soon – the Kindle Store, but they also sell direct in all the major formats.

So why should you worry about Smashwords, rather than buying through the “big” retailers? For one, it gives you more choice in books. For another, you may find some gems on sale or even for free that you wouldn’t see from the major retailers (although, granted, there are quite a few places where you can get free books, although not necessarily in as wide an array of formats).

There’s also another good reason that I’ll mention from a purely selfish point of view as an author: Smashwords pays higher author/publisher royalties than almost all the other retailers. When you buy from them, even for books at the exact same, and often lower, price than at some of the major retailers, the author and/or publisher will get a larger cut of your moolah, which is a good thing (hey, we need to eat, you know)!

If you’d like, feel free to check out my novels on Smashwords to get an idea of what they have to offer.

Amazon vs. Macmillan: Clash of the Titans


01 Feb

If you’ve been scoping out books at Amazon over the last couple of days, you may have noticed that a lot of books have suddenly had their “buy now” buttons disappear. That’s because there’s a big fight going on between Amazon and the publishing house of Macmillan, both giants in their respective fields of retail and publishing.

The cause of the tiff? Macmillan wants Amazon to set higher prices – $12.99 to $14.99 – for ebooks versions of bestsellers and hardcover releases in the Amazon Kindle store. Amazon, to their credit, said not only no, but hell no, and pulled the “buy now” buttons for all of its Macmillan titles in protest. That’s got to be putting a huge squeeze on Macmillan and, unfortunately, its authors.

Amazon noted that, unfortunately, in the end they’ll have to capitulate and accept Macmillan’s terms (which, as of today, they have), because they want to continue to offer their titles, and it will be up to consumers to decide if they want to pay these higher prices (from the Amazon Kindle Team announcement). But I still have to hand it to them for at least popping Macmillan in the nose.

There’s a lot that’s going on behind the scenes on this, and the best summary of the shenanigans – and a lot of other great insights for both readers and authors – I’ve seen thus far is on author J.A. Konrath’s blog. But to me this is really the first clear and unequivocal signal that the times, they are a-changing, even if the big publishers like Macmillan want to remain rooted in the past. Why? Because the changes on the horizon, which I think are inevitable in this age of technology, threaten to completely destroy the business model that’s been sustaining them for – literally – centuries.

As a friend of mine once told me, “In dysfunction, there is opportunity,” and the exposure of the dysfunctional business models of traditional publishers offer some great potential opportunities for readers and authors alike, especially when readers are confronted with higher prices and authors with cuts in their royalties.

For readers, you’re going to see a lot more in the way of choices of what to read. The publishing houses are already starting to lose their power to dictate what is published, which in turn dictates what you have available to read. There’s a growing number of independent and small press publishers out there with great stories to tell, and the vast majority of them offer their work at “value” prices. Why? Because the price doesn’t have to support the huge infrastructure of a major publishing house that specializes in printing and distributing paper. On top of that, even when selling at a much lower price, many of these authors make more on each book sold than they would on sales of books through a publisher. Cheap eBooks can be good for both the reader and the author.

For authors, technology like Amazon’s Digital Text Platform and Smashwords allow you to get your work out to the world for free. You’re still responsible for making sure it’s professional grade (proofing, editing, cover art, etc.), but the profit margins are better and you’re in control. Amazon’s royalties are currently 35% of the price you set (although they can set whatever retail price they want), and at Smashwords it’s a whopping 85%, although that venue isn’t nearly as popular (yet). And Amazon is also introducing in June a 70% royalty for authors whose books meet certain criteria, namely prices in the $2.99 to $9.99 range. To me, the jury’s still out on other distribution channels like the Nook by Barnes & Noble and the recently introduced Apple iPad (and Apple is peripherally involved in the brouhaha between Amazon and Macmillan, as Steve Jobs is apparently content with letting the publishers dictate the prices for iBooks), but they’re still part of the wave of technology that is looming on the horizon.

So, keep an eye on the prices in the eBook stores and exercise your power as a consumer: if something costs more than you think it should, don’t buy it. There are lots of other alternatives waiting for you out there.

Adding Your Book to Amazon’s Search Inside! Program


27 Oct

If you’ve perused Amazon’s bookstore, you’ve no doubt seen the Search Inside! feature, where you can see samples of the book. For independent publishers and authors, here’s the trick to add this nifty marketing feature to the Amazon catalog pages for your printed books (note: you do not need this for Kindle books).

Before I go further, if you used Amazon’s CreateSpace, you’re already set: you need do nothing extra for the Search Inside! feature to be added. That’s part of the CreateSpace “package,” which is definitely nice.

If you’re using an independent printer, such as Lightning Source, Inc. (LSI), the first thing you need to do, assuming your book is already up in the Amazon catalog, is to get an Amazon Seller Central account. Once you get that, you’ll need to have a PDF copy of your book – just make sure to follow the guidelines! If you click on the Search Inside the Book tab, there’s some info and a link on the right hand side for PDF guidelines.

Once you get the file uploaded, Amazon takes care of the rest! The Search Inside! feature for your book won’t show up right away: give it two to three weeks to appear. If you need tech support or assistance, there’s contact information for technical support from a link at the bottom of the web pages.

Mobipocket No Longer Accepting New Publishers


12 Oct

If you’ve visited the Mobipocket site recently with the intention of setting up a new publisher account, you no doubt encountered this message on the publisher welcome page:

Effective September 2009, we will no longer open new accounts for publishers to sell titles through the Kindle Store or MobiPocket.com. If you have an existing account, there will be no change and you can continue to upload and sell titles using Ebookbase. New publishers with a US address and bank account can sign up to sell ebooks in the Kindle store via our self-service publishing channel at http://dtp.amazon.com.

While I haven’t seen any confirmation, this certainly looks like the first big step in Amazon absorbing Mobipocket into the overall Digital Text Platform (DTP) service, which is the other route – besides Mobipocket – for getting book into the Amazon Kindle store (note: for independent publishers; mainstream publishers have their own distribution channel for Kindle).

So, the upshot is that if you have an existing Mobipocket account, you’re fine for now, but I wouldn’t be surprised if we see some changes in the next year. The big question will be if Amazon will continue to use Mobipocket as a distribution platform for the many independent ebook retailers out there. Stay tuned!

Holdouts for Kindle and Print Book Discounts on Amazon: Mobipocket and Lightning Source


05 Aug

We don’t know why Amazon has stopped discounting books published by independent authors and publishers, but it has. If you look in the Kindle Store or the greater Amazon bookstore, you’ll see that those nice red discount prices have disappeared from a great many titles. We can speculate on why, but it’s just that: speculation. The real reasons are only going to be discussed in Amazon board meetings.

The bottom line is that all of us – authors, publishers, and readers – are at the mercy of whatever Amazon decides to do pricing-wise. I’m not saying Amazon is “bad,” as I’m sure they’re trying to do whatever is best for their bottom line. But the bottom line for you and me is that customers are being asked to pay higher prices for books that have often been very inexpensive to start with, and authors and publishers are making less money (and it wasn’t a lot to start with, in most cases).

Right now, the only two avenues to getting discount prices for Kindle and print for self- or small-press publishers and authors that I see are publishing through Mobipocket for distribution to the Kindle Store, and Lightning Source, Inc. (LSI) for print. It looks like Amazon has discontinued its discounts across the board on titles published through its own direct services, including the Digital Text Platform for Kindle, CreateSpace, and BookSurge. Curiously, Mobipocket is owned by Amazon, but titles published through them to the Kindle Store are still being discounted – hopefully that will continue.

The downside is that for Mobipocket-based sales for Kindle, sales are registered through Amazon’s Vendor Central, which is pretty clunky and doesn’t give an ongoing tally of sales – monthly reports only. And LSI is more expensive ($212, I believe, including an ISBN) to set up; but it has wider distribution – including B&N – and the author/publisher has control of the retailer discount.

In Her Name (Omnibus)As a consumer, a lot of that may not mean anything to you, so let me show you the difference in a way your pocketbook will clearly understand. For the Kindle, there are two versions of my novel In Her Name (Omnibus Edition) now available in the Kindle store. The one published through Amazon’s DTP is currently priced at $8.99 – with no discount. The version distributed from Mobipocket is now priced at $7.19, which is 20% off. As a consumer, which are you going to want to buy? And if you had a choice between two different books that had similar appeal and the same list price, but one is discounted 20%, which are you going to get? All things being equal, the cheaper one, of course!

So, the beat goes on. Or beating, whichever you prefer. But these are some things I thought that you should be aware of, whether you’re a consumer or author/publisher.

Using Kindle’s Text-To-Speech Feature For Revisions


03 Aug

Some authors use a read-aloud method to help them edit and revise. Sometimes hearing the words and sentences helps you spot problems or areas that need a little touchup that your eyes aren’t as likely to find. The only trick, of course, is that you either have to sit there and read the text yourself, or have someone else read it to you. In either case, it can be pretty daunting and take quite a bit of time.

But I got to thinking: what if I uploaded a copy of the draft of my book (in this case, In Her Name: First Contact) and used the Kindle 2’s text-to-speech feature to read it to me? Then I could take notes or make revisions on the fly and not lose my voice in the process, or drive my wife nuts by droning on.

I also thought this was something useful that I could do while driving to and from work every day: that would give me about an hour of editing time! The only problem with that, of course, is that I can’t type on my laptop while driving. But I could make voice memos with my iPhone and it’s new voice memo app: that’s basically just a click of a button to turn on the recorder, then another click to turn it off.

I gave it a try this morning, and I think it has potential. Unfortunately, this morning’s test wasn’t really fair: I drive a convertible, and I couldn’t get the volume up high enough to hear over the wind noise (I know, I know, but I really like driving with the top open!). So I’ll try it again, maybe tonight or while driving up to Hershey Park tomorrow and let you know how it goes!

Michael R. Hicks

Tales and Musings

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